Creighton's Collection

£8.00

Transcriptions of 17th and 18th century music for Celtic or Pedal Harp
arr Christopher Powell

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£14.00

Deborah Henson-Conant

Baroque Flamenco Solo (Special Pre-Publication Edition) (for pedal & lever harps) includes Beginner, Intermediate & Advanced / Concert versions. There are 12 pages regarding Performance, Notation and Techniques.
100+ in stock (EU Edition printed & distributed by Creighton's Collection)
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£16.00

Skaila Kanga
A collection of 30 easy pieces from Medieval to Present Day for lever or pedal harp by Skaila Kanga.
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£12.00

Angharad Evans Young

For the last eighteen years, it has been my privilege to teach many beginner harpists, and it has been my joy and delight to be able to share my love of the harp to so many who would like to learn to play. I always stress that teaching and learning should not only be informative but fun. The dreaded words 'Theory', 'Technique', 'Sight-Reading' must not be allowed to be off-putting, when all one wants to do is to be able to put 'Hands on Harp' and to make music.

I hope my little book with its notes named Cool C, Dizzy D, Exciting E, Fantastic F, Gorgeous G, Amazing A and Busy B, and with its tunes with names like Wobbly Waltz, Groovy Giraffes, Dozing Donkeys, Crazy Crocodiles, Alligator Snap, Bopping Bugs and Dinosaur Disco will help to make your Hands on Harp experience a happy one. And what is more, you will find, as have so many of my pupils in the past, that you have conquered the 'problems' of Theory, Technique and Sight-Reading without even being aware that they were there!

The book can be used in both individual and group teaching, and towards the end I have included second (and in some cases, third and fourth) harp parts to pieces which are set in Grade examinations, and these can be used for playing together, giving the beginner harpist valuable ensemble experience. (click cover for details)

100+ in stock (printed & distributed by Creighton's Collection)
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£11.00

Fiona Clifton-Welker
10 pieces for harp with or without pedals - Grades 1 to 2.
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£15.00

Music for the Irish Harp
Senior

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£8.00

Stephen Dunstone
Intermediate Duet for Cello and Harp or Piano
Always in stock (printed & distributed by Creighton's Collection)
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£8.00

Gareth Walters
*** (New Old Stock from Pilgrim Harps) ***
These are new but have a Pilgrim Harps label on front cover
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£10.00

Gareth Walters

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£10.00

Gareth Walters
1. Prelude
2. Aria
3. Toccata

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£8.50

Park Stickney
One day, while doing my laundry as an undergraduate at the University of Arizona, I found myself humming a tune--a tune that I didn't recognize! After I finished drying (and folding), I went to the harp and worked out the melody, which eventually became the piece you're now holding. It was pure chance--it could have just as easily been the "shaving samba" or the "all-nighter waltz," but I was out of socks. I hope you enjoy this piece, and that your sock drawer is always full. Park Stickney Valeyres-sous-Ursins 2007.
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£16.00

Christopher Norton selected & edited for harp Keziah Thomas
Christopher Norton Connections for Harp contains over 100 newly composed pieces, carefully selected and edited for harp by Keziah Thomas. The pieces in Connections cover a wide range of styles—from swing to Latin and from calypso to pop ballad.
Click cover for songlist
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£16.00

Christopher Norton selected & edited for harp Keziah Thomas
Christopher Norton Connections for Harp contains over 100 newly composed pieces, carefully selected and edited for harp by Keziah Thomas. The pieces in Connections cover a wide range of styles—from swing to Latin and from calypso to pop ballad.
Click cover for songlist
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£35.00

Antonio Vivaldi arranged for harp Keziah Thomas
In combining the solo violin and orchestral parts to make this arrangement, Keziah has aimed to stay as close to Vivaldi’s material as possible, but still creating a piece that feels comfortable and joyful for the harpist to play.
Spring
Summer
Autumn
Winter
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£20.99

Anne-Marie O'Farrell
The lever harp might not be considered a truly chromatic instrument and consequently, its repertoire often features musical idioms requiring few or no lever changes. A plentiful resource of material for transcription is solo instrumental music of the baroque era: it is rich in harmonic and textural colour and, with modulations frequently occurring in just one octave, it is especially suitable for transcription to lever harp. This collection of keyboard and cello pieces by Johann Sebastian Bach has been compiled to help address the need for lever harp repertoire suitable for recitals. We also know from Bach’s transcription of his own music, that he was open to the idea of music finding a new home on another instrument. All the music included in this collection is recorded on the album,
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