Creighton's Collection

£8.00

Transcriptions of 17th and 18th century music for Celtic or Pedal Harp
arr Christopher Powell

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£14.00

Deborah Henson-Conant

Baroque Flamenco Solo (Special Pre-Publication Edition) (for pedal & lever harps) includes Beginner, Intermediate & Advanced / Concert versions. There are 12 pages regarding Performance, Notation and Techniques.
Always in stock (printed & distributed by Creighton's Collection)
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£16.00

Skaila Kanga
A collection of 30 easy pieces from Medieval to Present Day for lever or pedal harp by Skaila Kanga.
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£7.00

Jeffrey Mayhew
People and Places - literally that! Memories of places visited and the people there. Fiskars, for example, was written in an attic room in Fiskars in winter looking out over the frozen landscape.

Tunes in the book:
Fiskars
El Colibri
Saint Louand
Corstorphine Road

Always in stock (printed & distributed by Creighton's Collection)
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£11.00

Fiona Clifton-Welker
10 pieces for harp with or without pedals - Grades 1 to 2.
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£12.00

Angharad Evans Young

For the last eighteen years, it has been my privilege to teach many beginner harpists, and it has been my joy and delight to be able to share my love of the harp to so many who would like to learn to play. I always stress that teaching and learning should not only be informative but fun. The dreaded words 'Theory', 'Technique', 'Sight-Reading' must not be allowed to be off-putting, when all one wants to do is to be able to put 'Hands on Harp' and to make music.

I hope my little book with its notes named Cool C, Dizzy D, Exciting E, Fantastic F, Gorgeous G, Amazing A and Busy B, and with its tunes with names like Wobbly Waltz, Groovy Giraffes, Dozing Donkeys, Crazy Crocodiles, Alligator Snap, Bopping Bugs and Dinosaur Disco will help to make your Hands on Harp experience a happy one. And what is more, you will find, as have so many of my pupils in the past, that you have conquered the 'problems' of Theory, Technique and Sight-Reading without even being aware that they were there!

The book can be used in both individual and group teaching, and towards the end I have included second (and in some cases, third and fourth) harp parts to pieces which are set in Grade examinations, and these can be used for playing together, giving the beginner harpist valuable ensemble experience. (click cover for details)

100+ in stock (printed & distributed by Creighton's Collection)
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£18.00

Collected & Edited by Samuel & Rosalie Pratt
Intermediate Lever or Pedal Harp
Original compositions and thoughtful arrangements combine in this 22 piece collection from simple tunes to the splash of ”The Little Fountain.”
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£11.50

Louis Spohr
Variations for harp on the aria "Je suis encore dans mon printemps"

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£6.00

Edward Elgar
HARP (Piano)
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£17.99

Patuffa Kennedy-Fraser

St. Bride's Coracle (Eigg)
Islay Reaper's Song (Islay)
A Raasay Love Lilt (Skye)
A Morar Reaper's Song (North Uist)
Kishmul Cradle Croon (Barra)
The Troutling of the Sacred Well (Benbecula)
A Fairy's Love Song (Skye)
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£15.00

Nartan Marco Savona
A collection of 10 original compositions
for double action pedal harp and Celtic harp
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£10.50

Stephen Dunstone
Mixed Ability for Four Part Harp Ensemble
Always in stock (printed & distributed by Creighton's Collection)
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£12.00

1. Mountain Morning
2. The Summit's Tranquillity
Monika Stadler
Commissioned by by Elisabeth Plank for a concert harp CD project Alpine Impressions were inspired by the composer's homeland. "As an Austrian, my roots lie in the mountainous parts of the country, which is why I took the Alps as my theme and source of inspiration. The main components of Mountain Morning are movement, grooves, rhythms and different moods. In contrast, "The Summits Tranquillity" with calm, stillness and peace. Alpine Impressions is dedicated to Elisabeth Plank with a heartfelt thank you." Monika Stadler
Always in stock (printed & distributed by Creighton's Collection)
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£15.00

Michael Stimpson

PERFORMING SCORE ONLY
Always in stock (printed & distributed by Creighton's Collection)
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£9.00

Gary Schocker
Harp Solo
A beautiful 3-minute tribute within the reach of intermediate harpists, especially fitting for memorial concerts as well as recitals.
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